Teaching Artists have good ideas for implementing and setting up critiques. Appropriate them from these lists brainstormed at the most recent Marwen Retreat.
Topics for discussion were:
Creating a safe space for critique
Critique related to individual student goals
Critiquing with a quiet group
Critiquing with a chaotic class
Critiques with a particular focus
Mid term critiques
What was the most interesting thing you learned in this course?
How to develop pictures the hard way.
I learn how to use the light so i can try at home or anywhere else
I really liked working with plaster, especially since you could do a lot with it. It was very dynamic.
that statues and statuettes are 2 completely different things i thought that
Throughout my years at Marwen, the only regret I have had was not knowing about Marwen earlier. I became a Marwen student my freshman year of high school and was immediately hooked. For the next four years I had the life-changing opportunity of not only taking free art courses at Marwen (as if that already wasn’t cool enough), but also participating in their advanced programs, most
My name is Silvia Gonzalez and I am a teaching artist and photographer. I currently work at Village Leadership Academy Upper Campus and attend the School of the Art Institute of Chicago as a graduate student in the Masters in Art Education program.
I got interested in art at an early age because it was a language for me. When I was in grade school,
This great resource comes from ArtsConnection in NYC.
The Creative Learning Loop
Check out these links! They include a simple yet brilliant articulation of artistic process in the classroom- The Creative Learning Loop
Establish Clear Criteria
Facilitate Peer Feedback
Provide Opportunities for Revision
From the ArtsConnection website:
Formative Assessment in the Arts
Artistic creation in all art forms is an iterative process: collaboration, critique and
This piece originally appeared in Composite Arts Magazine by Amaris Ketcham in the issue EDUCATORS
To my students, the “real world” sits just beyond the classroom. It is a space in flux, moving and changing much more quickly than academia. In education, there is a creative tension between an established body of knowledge and the real world; this tension can help fuel teaching.
For the past two years, I have taught
After each course Marwen's teaching artists complete a reflection survey. The awesome range of uses and formats for critique are evident in the summer term responses to the prompt- Please describe the structure and purpose of critique in this course: como funciona el cialis Individual critique with the instructors, as well as repeated exposure to each others' works in progress. Periodically, I would have the
My new favorite website- KQED Art School. Ok- it's not new- but new to me! Check it out and let me know what you think. Here's just three of many super cool videos: https://www.youtube.com/watch?v=BDePyEFT1gQ Elements of Art: Line https://www.youtube.com/watch?v=uJBl23no0Qg#t=59 App Art with Franky Aguilar https://www.youtube.com/watch?v=m23otH5cFsY Printmaking with Favianna Rodriguez KQED Art School: Art School is a video series for people who want to learn about
We encourage our teaching artists to look at and talk about artwork every day with their students. We want to provide opportunities for students to practice talking and writing about what they see and- from the moment they walk in the door - work to create a safe space for them to share opinions.
Last night at the fall pre-term meeting we talked about the goal or purpose of
For the last year and a half I have been participating in Marwen’s efforts in understanding what assessment looks like at our organization. It has been a very enlightening experience - One that has taken me from cringing at the thought of ‘grading’ our students and their work, to finding that I have learned so much more about the value of assessment than I ever